The word of the Father by whom all time was created was made flesh and born in time for us. He without whose divine permission no day completes its course, wished to have one of those days for His human birth. In the bosom of His Father He existed before all the cycles of the ages. Born of an earthly mother, He entered on the course of the years on that very day. The maker of man became man that He ruler of the stars might be nourished at the breast, that He the bread might be hungry, that He the fountain might thirst, that He the light might sleep, that He the way might be wearied in the journey, that He the truth might be accused by false witnesses, that He the judge of the living and the dead might be brought to trial by a mortal judge, that He justice itself might be condemned by the unjust, that He discipline personified might be scourged with a whip, that He the foundation might be suspended on a cross, that He courage incarnate might be weak, and He security itself might be wounded, and He life itself might die.
Augustine

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#1 · May 25, 2003, 1:08 am

Posted by: tim <tim@...>

After hearing the difference the BBE makes during a workshop with the
electric guitarist for Chris Tomlin, I'm going to try one on my rig. But
which unit? Here's the info clip from the website:

***

882i unit features dual-mono operation with balanced XLR inputs and
outputs. It is designed for applications requiring low noise, high
headroom and +4dBu input levels.

482i is perfect for semi-pro applications not requiring balanced jacks.
With true dual-mono operation, the 482 is two independent BBE SONIC
MAXIMIZERT signal processors in one chassis.

The 362 series delivers the sound-improving benefits of BBE sound
processing technology with the convenience of ganged-stereo operation.

The 362NR combines our full-featured BBE SONIC MAXIMIZERT signal
processor with an independent, single-ended noise reduction system in a
single rack-space unit.

The 362SW combines a full-featured BBE SONIC MAXIMIZERT signal processor
with an independent subwoofer control with a variable low-pass filter
and output level control.

http://www.bbesound.com/products/maxim/maxim.asp

***

Here's my rig:

I'm running two outputs from my Godin LGX electric.

Electric path: guitar to Johnston Millennium amp/modeler to BBE to snake

Acoustic path: guitar (through Roland GK-2A sampler) to Roland GR33
Guitar Synth with straight acoustic signal looped through Digitech RP200
and mixed on guitar and out to BBE to snake

***

Here's my application:

I lead worship with the straight acoustic signal as my primary signal. I
generally use the synth for background pad sounds and only occasionally
use it to generate the primary signal like a tin whistle or something. I
add the electric signal for crunch and to build the sound, or when I'm
playing lead. While I control the overall volume from my pedals, the
sound tech has ultimate control over the mix between acoustic and
electric sounds.

What do you think?

-Tim Miller
Zion Chapel
Goshen, IN

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